Theophilia Gwatkin, previewed as a 16 by 20 inch giclée reproduction.

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Joshua Reynolds

English, 1723–1792

Theophilia Gwatkin1776–81

Oil on canvas

73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)

Courtesy of the Art Institute of Chicago · 2019.1236

Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A work made of oil on canvas.

Description from the Art Institute of Chicago.

Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Joshua Reynolds

English, 1723–1792 · Born in Plympton; died in London.

Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting. He became the leading portraitist of Georgian society and, in 1768, the first President of the Royal Academy. His Discourses to its students set out the principles of the Grand Manner and remained influential long after his death.

Written by Ochre Editions.

See all 5 works by Joshua Reynolds

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2019.1236
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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