Portrait of the Ladies Amabel and Mary Jemima Yorke, previewed as a 16 by 20 inch giclée reproduction.

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Joshua Reynolds

English, 1723–1792

Portrait of the Ladies Amabel and Mary Jemima Yorkec. 1761

oil on canvas

Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)

Courtesy of the Cleveland Museum of Art · 1942.645

Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 15¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses. Their father commissioned the painting to hang in the family’s city home in London’s St. James Square and it highlights their status as landowners. Joshua Reynolds painted this portrait after his return from Italy, where his studies inspired him to incorporate classical references. The famous ancient Roman Statue of a Girl with a Dove is echoed in Mary Jemima’s pose as she shields a dove from the family dog.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Joshua Reynolds

English, 1723–1792 · Born in Plympton; died in London.

Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting. He became the leading portraitist of Georgian society and, in 1768, the first President of the Royal Academy. His Discourses to its students set out the principles of the Grand Manner and remained influential long after his death.

Written by Ochre Editions.

See all 5 works by Joshua Reynolds

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1942.645
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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