At the Café, previewed as a 20 by 16 inch giclée reproduction.

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Édouard Manet

French, 1832–1883

At the Café1874

gillotage

Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)

Courtesy of the Cleveland Museum of Art · 2019.57

This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 192 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career. Here, he experimented with gillotage —a new technique at the time—to suggest the quick, sketchy lines of drawing, making the image appear as if it had been created quickly and spontaneously.

Text from the Cleveland Museum of Art.

Édouard Manet

French, 1832–1883 · Born and died in Paris.

Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling. Though he never showed with the Impressionists, younger painters looked to him as a leader, and in his last years he painted Parisian café life and A Bar at the Folies-Bergère.

Written by Ochre Editions.

See all 16 works by Édouard Manet

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2019.57
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Prints
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