Ochre Editions
SearchSign inCart (0)

Watercolours of the 19th century

Watercolours made in the 19th century, from every museum.

40 works · hang 3361 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  2. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago
  2. A work made of graphite on ivory wove paper.
    Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of black and white chalk on blue wove paper.
    SeasideCharles François Eustache, 1866Courtesy of the Art Institute of Chicago
  2. Garden View, Brooklyn, by Fidelia Bridges, ca. 1867
    Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of watercolor and opaque watercolor on cream wove paper.
    Landscape with River GorgeGeorge Sand, 1860/69Courtesy of the Art Institute of Chicago
  2. Nocturne, by John La Farge, ca. 1885
    NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art
  3. A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.
    Sketches of Algerian MenEugène Delacroix, c. 1832Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
  2. A work made of gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper.
    Horseman (recto); Horse and Rider (verso)Auguste Rodin, 1889Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of conté crayon on gray-blue wove paper.
    Landscape with HaystacksConstant Troyon, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly MagazineFrederic Remington, n.d.Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
    The Hall, Levens, WestmorelandJoseph Nash, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of oil on paperboard.
    Lane Scene at NightJohn Atkinson Grimshaw, 1872Courtesy of the Art Institute of Chicago
  3. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago