Sketches of Algerian Men, previewed as a 20 by 16 inch giclée reproduction.

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Eugène Delacroix

French, 1798–1863

Sketches of Algerian Menc. 1832

Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper

20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)

Courtesy of the Art Institute of Chicago · 1988.141.24

Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 168 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 12
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832. He travelled with a French diplomatic mission to the sultan of Morocco and stopped briefly in Algiers on the way home, filling notebooks and loose sheets with studies of people, costume and gesture. These observations fed his paintings for the rest of his career and changed his approach to colour and light.

Written by Ochre Editions.

What you’re looking at

A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.

Description from the Art Institute of Chicago.

How it was made

Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

Eugène Delacroix

French, 1798–1863 · Born in Charenton-Saint-Maurice; died in Paris.

Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People. A six-month journey to Morocco and Algeria in 1832 gave him a store of sketches and memories that fed his work for decades. Later he decorated public buildings in Paris, among them the Chapel of the Holy Angels at Saint-Sulpice, and his journal is a key record of his thinking.

Written by Ochre Editions.

See all 5 works by Eugène Delacroix

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1988.141.24
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
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