Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
First room, north wall

Christ Carrying the CrossSebastiano del Piombo, c. 1515–17Courtesy of the Art Institute of Chicago 
The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art
First room, south wall

A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art 
Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art 
The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago
Second room, south wall

Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art 
Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art 
The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art
Second room, north wall

Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art 
Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art 
Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago 
The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art