Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art 
The Belated Party on Mansfield MountainJerome B. Thompson, 1858Courtesy of The Metropolitan Museum of Art 
Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art
First room, south wall

Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution 
The Music LessonJohn George Brown, 1870Courtesy of The Metropolitan Museum of Art 
The PleiadesElihu Vedder, 1885Courtesy of The Metropolitan Museum of Art 
Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
Second room, south wall

Newburyport MeadowsMartin Johnson Heade, ca. 1876–81Courtesy of The Metropolitan Museum of Art 
Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art 
Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
Second room, north wall

Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
Third room, north wall

Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art 
Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art 
The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art