Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art 
The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art 
PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art 
Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
First room, south wall

An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution 
John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art 
NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art 
The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-RoomSeymour Joseph Guy, 1866Courtesy of The Metropolitan Museum of Art
Second room, south wall

At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art 
A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
Second room, north wall

Still Life—Violin and MusicWilliam Michael Harnett, 1888Courtesy of The Metropolitan Museum of Art 
Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art
Third room, north wall

Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art 
Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution