Ochre Editions
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Realism

Ordinary people and working lives, painted as they were, from the 1840s on.

41 works · hang 9871 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Plums, by John William Hill, 1870
    PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
  2. Roses in a Vase, 1880/1900
    Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington
  3. Nocturne, by John La Farge, ca. 1885
    NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art
  4. Oil painting
    An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution

First room, south wall

  1. At the Seaside, by William Merritt Chase, ca. 1892
    At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art
  2. Garden View, Brooklyn, by Fidelia Bridges, ca. 1867
    Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art
  3. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Washington Crossing the Delaware, by Emanuel Leutze, 1851
    Washington Crossing the DelawareEmanuel Leutze, 1851Courtesy of The Metropolitan Museum of Art
  2. The Veteran in a New Field, by Winslow Homer, 1865
    The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  2. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  3. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871
    The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art
  2. Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
    Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art
  3. Louis Eilshemius
    Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  4. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum