Ochre Editions
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Prints of the 19th century

Prints made in the 19th century, from every museum.

159 works · hang 2082 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. At the Café, by Édouard Manet, 1874
    At the CaféÉdouard Manet, 1874Courtesy of the Cleveland Museum of Art
  2. Grasshopper and Iris, by Katsushika Hokusai, late 1820s
    Grasshopper and IrisKatsushika Hokusai, late 1820sCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; uchiwa-e.
    Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.
    Shrewsbury RiverJohn Hill Millspaugh, 1887Courtesy National Gallery of Art, Washington
  2. A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, 1830/33Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. The image depicts the upper half of a man's body, seated with his head tilted downwards. He has a pronounced brow and a long beard. His hair is sparse and closely cropped. He is wearing a textured cloak or robe, holding a hat in one hand and resting it on his knee. In the background, there is a large, bare tree trunk with bare branches.
    Beggar with Hat in Hand (Mendiant avec son chapeau a la main)Alphonse LegrosCourtesy National Gallery of Art, Washington
  2. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  3. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, by Shunkōsai Hokushū, 1821
    Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as KoganosukeShunkōsai Hokushū, 1821Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s
    Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai ProvinceKatsushika Hokusai, early 1830sCourtesy of the Cleveland Museum of Art
  2. Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), by Katsushika Hokusai, ca. 1832
    Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art
  3. A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
    La Belle JardinièreJames McNeill Whistler, 1894Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Bastille Day, by Maurice Prendergast, 1892
    Bastille DayMaurice Prendergast, 1892Courtesy of the Cleveland Museum of Art
  2. Portrait of Mrs. C--, by Henry Wolf, 1894
    Portrait of Mrs. C--Henry Wolf, 1894Courtesy of the Smithsonian American Art Museum
  3. A work made of color woodblock print; oban.
    Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of transfer lithograph in black on gray china paper.
    At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau)Édouard Manet, 1875Courtesy of the Art Institute of Chicago
  2. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art