Baroque
Drama, movement and deep shadow in European art of the 1600s.
Section 1, north wall

Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin VBenedetto Luti, 1700Courtesy of the Art Institute of Chicago 
The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago 
Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago
Section 1, south wall

Adam and Eve in ParadiseFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago 
Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago
Section 2, south wall

Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago
Section 2, north wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago
Section 3, north wall

A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago 
The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art