Equestrian Ballet in the Amphitheater of the Boboli Gardens, previewed as a 20 by 16 inch giclée reproduction.

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Stefano della Bella

Italian, 1610–1664

Equestrian Ballet in the Amphitheater of the Boboli Gardens1661

Etching on ivory laid paper

Image/plate: 29.2 × 44.5 cm (11 1/2 × 17 9/16 in.); Sheet: 39.2 × 54.8 cm (15 7/16 × 21 5/8 in.)

Courtesy of the Art Institute of Chicago · 1995.28

In the amphitheatre of the Boboli Gardens behind the Pitti Palace in Florence, horsemen perform an elaborate equestrian ballet before crowds of spectators. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 176 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 13
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

In the amphitheatre of the Boboli Gardens behind the Pitti Palace in Florence, horsemen perform an elaborate equestrian ballet before crowds of spectators. The spectacle, called Il mondo festeggiante, was staged in 1661 to celebrate the marriage of the future grand duke Cosimo III de’ Medici to Marguerite-Louise d’Orléans, and Stefano della Bella recorded it in this large etching, packed with tiny, lively figures. Prints like this spread the fame of Medici court festivals across Europe.

Written by Ochre Editions.

What you’re looking at

A work made of etching on ivory laid paper.

Description from the Art Institute of Chicago.

How it was made

Etching
The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Stefano della Bella

Italian, 1610–1664

Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence. His more than a thousand etchings range from festivals and theatre spectacles to landscapes, animals and ornament, drawn with a light, lively needle.

Written by Ochre Editions.

See all 4 works by Stefano della Bella

Baroque

Drama, movement and deep shadow in European art of the 1600s.

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Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1995.28
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Prints and Drawings
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