The Colossal Statue of the Apennines, from Views of Villa di Pratolino, previewed as a 20 by 16 inch giclée reproduction.

Look closer

See it on a wall

Stefano della Bella

Italian, 1610–1664

The Colossal Statue of the Apennines, from Views of Villa di Pratolinoc. 1653

Etching in black on ivory laid paper

Image: 24.4 × 38.4 cm (9 5/8 × 15 1/8 in.); Plate: 25.5 × 38.7 cm (10 1/16 × 15 1/4 in.); Sheet: 32.9 × 45 cm (13 × 17 3/4 in.)

Courtesy of the Art Institute of Chicago · 1990.501.6

The Colosso dell’Appennino, a giant crouching figure personifying the Apennine mountains, created by the sculptor Giambologna around 1580 for the Medici villa at Pratolino near Florence, rises beside its pool in this etching by Stefano della Bella. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 171 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 13
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

The Colosso dell’Appennino, a giant crouching figure personifying the Apennine mountains, created by the sculptor Giambologna around 1580 for the Medici villa at Pratolino near Florence, rises beside its pool in this etching by Stefano della Bella. The Florentine printmaker made a series of views of the Pratolino gardens around 1653, recording their fountains, grottoes and marvels. His light, lively line captures the play of water and foliage around the colossal stone figure.

Written by Ochre Editions.

What you’re looking at

A work made of etching in black on ivory laid paper.

Description from the Art Institute of Chicago.

How it was made

Etching
The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Stefano della Bella

Italian, 1610–1664

Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence. His more than a thousand etchings range from festivals and theatre spectacles to landscapes, animals and ornament, drawn with a light, lively needle.

Written by Ochre Editions.

See all 4 works by Stefano della Bella

Baroque

Drama, movement and deep shadow in European art of the 1600s.

More from Baroque

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1990.501.6
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Prints and Drawings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Stefano della Bella

All their works

Close in colour