Baroque
Drama, movement and deep shadow in European art of the 1600s.
Section 1, north wall

Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago 
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Adam and Eve in ParadiseFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
Section 1, south wall

Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago 
Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art 
Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
Section 2, south wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago 
Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago 
One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
Section 2, north wall

The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art 
Salome with the Head of Saint John the BaptistGuido Reni, c. 1639–42Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago
Section 3, north wall

The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago 
The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago