Salome with the Head of Saint John the Baptist, previewed as a 16 by 20 inch giclée reproduction.

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Guido Reni

Italian, 1575–1642

Salome with the Head of Saint John the Baptistc. 1639–42

Oil on canvas

248.5 × 174 cm (97 3/4 × 68 1/2 in.); Framed: 285 × 210.2 × 8.9 cm (112 3/16 × 82 3/4 × 3 1/2 in.)

Courtesy of the Art Institute of Chicago · 1960.3

Guido Reni was the most famous and successful Italian painter of his day. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12¼ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Guido Reni was the most famous and successful Italian painter of his day. This painting depicts Salome receiving the head of John the Baptist on a platter, the gruesome reward she chose for having pleased her stepfather, Herod, by performing a seductive dance. This episode from the New Testament had long been popular in Italian art thanks to its combination of religiosity, violence, and eroticism.

Text from the Art Institute of Chicago.

What you’re looking at

Large painting of woman, in gold and pink dress, placing severed head on platter.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Guido Reni

Italian, 1575–1642 · Born and died in Bologna.

Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame. Returning to Bologna, he ran a large studio and became the most admired painter of his generation, prized for idealised figures, cool, clear colour and graceful movement. His late works, such as Salome with the Head of Saint John the Baptist, are freer in handling and paler in tone.

Written by Ochre Editions.

See all 6 works by Guido Reni

Baroque

Drama, movement and deep shadow in European art of the 1600s.

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Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1960.3
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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