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Romanticism and Realism

Storms, ruins and feeling from about 1780, then ordinary people and working lives painted as they were, from the 1840s on.

73 works · hang 7527 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  2. Oil painting
    An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
  3. Plums, by John William Hill, 1870
    PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
  4. Louis Eilshemius
    Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Section 1, south wall

  1. Sunrise, by George Inness, 1887
    SunriseGeorge Inness, 1887Courtesy of The Metropolitan Museum of Art
  2. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  3. Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878
    Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The Belated Party on Mansfield Mountain, by Jerome B. Thompson, 1858
    The Belated Party on Mansfield MountainJerome B. Thompson, 1858Courtesy of The Metropolitan Museum of Art
  2. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
  3. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington

Section 2, north wall

  1. The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866
    The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-RoomSeymour Joseph Guy, 1866Courtesy of The Metropolitan Museum of Art
  2. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
  3. Peaceable Kingdom, by Edward Hicks, ca. 1830–32
    Peaceable KingdomEdward Hicks, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  4. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Washington Crossing the Delaware, by Emanuel Leutze, 1851
    Washington Crossing the DelawareEmanuel Leutze, 1851Courtesy of The Metropolitan Museum of Art
  2. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art