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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 507 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512
    The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago
  3. A work made of engraving and etching in black on cream laid paper.
    A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago
  4. Painting of the Annunciation, dove flying above Mary with angel.
    The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of oil on canvas.
    Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago
  2. The Last Supper (pair), by Lucantonio degli Uberti, c. 1500
    The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  3. The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503
    The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art
  4. The Crucifixion, by Sodoma, 1500s
    The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later
    Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art
  2. Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
    Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art
  3. A work made of tempera on panel, transferred to canvas.
    The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago
  4. A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.
    Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)Pietro d' Asaro, n.d.Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Christ Crowned with Thorns, by Martin Schongauer, 1470–82
    Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art
  2. Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500
    Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art
  3. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  4. A work made of tempera on panel, transferred to canvas.
    The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago