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19th-century Britain

Works made in Britain in the 19th century.

40 works · hang 6667 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801
    Portrait of Charlotte and Sarah Carteret-HardyThomas Lawrence, 1801Courtesy of the Cleveland Museum of Art
  2. The Entombment, by Sir Edward Burne-Jones, 1879
    The EntombmentSir Edward Burne-Jones, 1879Courtesy of The Metropolitan Museum of Art
  3. The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.
    NoonDavid Lucas, 1830Courtesy National Gallery of Art, Washington

First room, south wall

  1. Whalers, by Joseph Mallord William Turner, ca. 1845
    WhalersJoseph Mallord William Turner, ca. 1845Courtesy of The Metropolitan Museum of Art
  2. The Lake of Zug, by Joseph Mallord William Turner, 1843
    The Lake of ZugJoseph Mallord William Turner, 1843Courtesy of The Metropolitan Museum of Art
  3. GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
    George James Drummond's Room at Oxford, 1853George Pyne, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, south wall

  1. The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.
    A Dell at Helmingham Park, SuffolkDavid Lucas, 1830Courtesy National Gallery of Art, Washington
  2. Noah: The Eve of the Deluge, by John Linnell, 1848
    Noah: The Eve of the DelugeJohn Linnell, 1848Courtesy of the Cleveland Museum of Art
  3. Lady Lilith, by Dante Gabriel Rossetti, 1867
    Lady LilithDante Gabriel Rossetti, 1867Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Bray Church Yard, by John Varley, 1807
    Bray Church YardJohn Varley, 1807Courtesy of the Cleveland Museum of Art
  2. Descent into the Plain of Granada, by David Roberts, 1834
    Descent into the Plain of GranadaDavid Roberts, 1834Courtesy of the Cleveland Museum of Art
  3. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago

Third room, north wall

  1. Large marine landscape of boats on rough waves, storm clouds.
    Fishing Boats with Hucksters Bargaining for FishJoseph Mallord William Turner, 1837–38Courtesy of the Art Institute of Chicago
  2. The Love Song, by Sir Edward Burne-Jones, 1868–77
    The Love SongSir Edward Burne-Jones, 1868–77Courtesy of The Metropolitan Museum of Art

Third room, south wall

  1. A work made of oil on panel.
    The Sand Pits, Hampstead HeathJohn Linnell, 1834Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The FestivalSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago