Descent into the Plain of Granada, previewed as a 20 by 16 inch giclée reproduction.

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David Roberts

Scottish, 1796–1864

Descent into the Plain of Granada1834

watercolor with gouache, scratch-away, and graphite

Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)

Courtesy of the Cleveland Museum of Art · 1940.563

Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 12¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia. He described the trip in a letter to his sister: "I jogged on a considerable part of the way on foot, happy and contented. Granada is in the most beautiful situation that can be imagined. It lies at the foot of a ridge of high mountains, called the Sierra Nevada, or the Mountains of Snow." Replete with burdened mules, a lone figure on foot, and sun-drenched mountains with a view of Granada in the distance, this watercolor vividly illustrates the artist’s recollections.

Text from the Cleveland Museum of Art.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

David Roberts

Scottish, 1796–1864

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1940.563
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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