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18th-century Japan

Works made in Japan in the 18th century.

92 works · hang 7950 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art
  2. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
  3. The Actor Morita Kanya VIII as Tatsugorō, by Katsukawa Shun'ei, 1794 (Kansei 6)
    The Actor Morita Kanya VIII as TatsugorōKatsukawa Shun'ei, 1794 (Kansei 6)Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
    The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His HandKatsukawa Shunshō, ca. 1781Courtesy of The Metropolitan Museum of Art
  2. Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
    Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art
  3. Perspective Pictures for The Treasure House of Loyalty, by Kitao Masayoshi, c. 1790s
    Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Scene from a Play, by Katsukawa Shunjō, ca. 1780
    Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art
  2. Young Woman Looking at a Pot of Pinks, by Suzuki Harunobu, c. 1767
    Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art
  3. A work made of woodblock print; sumizuri-e, kakemono-e.
    Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Snails, by Nagasawa Rosetsu, c. 1788–89
    SnailsNagasawa Rosetsu, c. 1788–89Courtesy of the Cleveland Museum of Art
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty), by Kitao Masayoshi, c. 1790s
    Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty)Kitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of hand-colored woodblock print; tan-e, vertical o-oban.
    Courtesan WalkingKaigetsudo Anchi, c. 1714Courtesy of the Art Institute of Chicago
  2. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, by Okumura Masanobu, 1740
    Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art