Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago 
Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
First room, south wall

The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago 
The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago 
The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago
Second room, south wall

Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
Three Angels Appearing to AbrahamGiovanni Battista Tiepolo, c. 1726Courtesy of the Art Institute of Chicago 
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)Francesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Second room, north wall

Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art 
The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago
Third room, north wall

DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art 
Tobias and the AngelFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Third room, south wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago