Three Angels Appearing to Abraham, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Giovanni Battista Tiepolo

Italian, 1696–1770

Three Angels Appearing to Abrahamc. 1726

Pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper

43.1 × 28.5 cm (17 × 11 1/4 in.)

Courtesy of the Art Institute of Chicago · 1970.41

Three angels appear to Abraham at Mamre to announce that his aged wife Sarah will bear a son, as told in Genesis. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 11¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Three angels appear to Abraham at Mamre to announce that his aged wife Sarah will bear a son, as told in Genesis. Giovanni Battista Tiepolo drew the scene in pen and brown ink with washes over black chalk around 1726, the years in which he was painting frescoes of Old Testament subjects, this episode among them, in the archbishop’s palace at Udine. The luminous washes, left open in places so that the bare paper reads as light, show the speed and assurance of his draughtsmanship.

Written by Ochre Editions.

What you’re looking at

A work made of pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper.

Description from the Art Institute of Chicago.

How it was made

Chalk
Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Giovanni Battista Tiepolo

Italian, 1696–1770 · Born in Venice; died in Madrid.

Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour. After establishing himself in Venice, he worked with his sons Giandomenico and Lorenzo on the frescoes of the Residenz at Würzburg in 1750–53, and in 1762 he went to Madrid to decorate the Royal Palace for Charles III, remaining there until his death. Rinaldo and Armida, the lovers of Tasso’s epic Jerusalem Delivered, were subjects he painted more than once.

Written by Ochre Editions.

See all 10 works by Giovanni Battista Tiepolo

Rococo

Light, playful and pastel: the decorative art of eighteenth-century Europe.

More from Rococo

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1970.41
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Giovanni Battista Tiepolo

All their works

Close in colour