Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
Christ and the Woman Taken in AdulterySebastiano Ricci, mid-1700sCourtesy of the Cleveland Museum of Art 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago
First room, south wall

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo, 1739Courtesy of the Cleveland Museum of Art 
The Supper at EmmausGiovanni Battista Piazzetta, c. 1720Courtesy of the Cleveland Museum of Art 
The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
Second room, south wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
Second room, north wall

A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art 
Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago 
The Colossal Statue of the Apennines, from Views of Villa di PratolinoStefano della Bella, c. 1653Courtesy of the Art Institute of Chicago
Third room, north wall

The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)Francesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago