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Hans Baldung (called Hans Baldung Grien)'s contemporaries

A few works by Hans Baldung (called Hans Baldung Grien), then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

8 works · hang 748 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

With their contemporaries

  1. Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511
    Saint John on PatmosHans Baldung (called Hans Baldung Grien), ca. 1511Courtesy of The Metropolitan Museum of Art
  2. The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials "I.SP" in the top right corner.
    The Agony in the GardenSebald Beham, 1522Courtesy National Gallery of Art, Washington
  3. The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528
    The Judgment of ParisLucas Cranach the Elder, ca. 1528Courtesy of The Metropolitan Museum of Art
  4. The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.
    Saint John before God and the EldersAlbrecht Dürer, probably c. 1496/1498Courtesy National Gallery of Art, Washington

Their contemporaries

  1. This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.
    Saint ChristopherLucas Cranach the Elder, 1506Courtesy National Gallery of Art, Washington
  2. This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word "PACIENTIA." On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.
    Pacientia (Patience)Sebald Beham, 1540Courtesy National Gallery of Art, Washington
  3. This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.
    Marcus Curtius Plunging into the ChasmLucas Cranach the ElderCourtesy National Gallery of Art, Washington
  4. Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
    Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art