Tingletangle1895
Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago. More about this work
About this work
A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.
Description from the Art Institute of Chicago.
Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.
How it was made
- Lithograph
- Drawn on limestone with a greasy crayon or ink. The stone is kept damp, and the oily printing ink clings only to the drawing. Invented in the 1790s, it let artists print exactly as they drew.
- Watercolour on ivory
- Thin sheets of ivory gave watercolour a luminous, skin-like glow, which made them the favourite support for portrait miniatures from the early 1700s.
- Watercolour
- Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Edvard Munch
Norwegian, 1863–1944
Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream. His painting drew on personal loss, including the early deaths of his mother and sister. He also made woodcuts and lithographs of great originality, sawing his blocks into pieces to ink them separately. After a breakdown in 1908 he returned to Norway, where he lived and worked until his death.
Written by Ochre Editions.
Rights and the museum’s record
Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1963.285
- Credit
- Courtesy of the Art Institute of Chicago
- Type
- Department
- Prints and Drawings
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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