July, from Twelve Months of Flowers, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Henry Fletcher

English, 1710–1750

July, from Twelve Months of Flowersn.d.

Engraving in black ink with opaque and translucent watercolor on cream laid paper

Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)

Courtesy of the Art Institute of Chicago · 1946.404

The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name. Henry Fletcher engraved the design after a painting by Pieter Casteels, and watercolour, both opaque and translucent, was then brushed on by hand to bring the bouquet to life.

Written by Ochre Editions.

What you’re looking at

A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.

Description from the Art Institute of Chicago.

How it was made

Engraving
Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Henry Fletcher

English, 1710–1750

See all 3 works by Henry Fletcher

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1946.404
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Prints and Drawings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Henry Fletcher

All their works

Close in colour