Madonna and Child Enthroned with Saints, previewed as a 16 by 20 inch giclée reproduction.

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Raphael

Italian, 1483–1520

Madonna and Child Enthroned with Saintsca. 1504

Oil and gold on wood

Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)

Courtesy of The Metropolitan Museum of Art · 16.30ab

The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels. Raphael painted the altarpiece around 1504, when he was about twenty-one, for the nuns of Sant’Antonio da Padova in Perugia; according to Vasari, the Christ Child is clothed at the nuns’ request. It shows the young painter absorbing the calm symmetry of his teacher Perugino while already reaching towards the grandeur of his later work.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Raphael

Italian, 1483–1520 · Born in Urbino; died in Rome.

Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II. There he painted the frescoes of the papal apartments, including The School of Athens, and under Leo X directed the decoration of the Vatican Loggia, designed tapestries for the Sistine Chapel and took charge of building St Peter’s. His balanced compositions became the model of classical art for centuries. He died at thirty-seven.

Written by Ochre Editions.

See all 3 works by Raphael

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
16.30ab
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
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