La Cervara, the Roman Campagna, previewed as a 20 by 16 inch giclée reproduction.

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Jean Baptiste Camille Corot

French, 1796–1875

La Cervara, the Roman Campagnac. 1830–31

oil on fabric

Framed: 130 x 167.5 x 9.5 cm (51 3/16 x 65 15/16 x 3 3/4 in.); Unframed: 97.6 x 135.8 cm (38 7/16 x 53 7/16 in.)

Courtesy of the Cleveland Museum of Art · 1963.91

Corot based his large oil painting on drawings and oil sketches made outdoors. Attracted to the beauty of the Italian countryside, he often sketched around Rome, where he lived from 1825 to 1828. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 12¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Corot based his large oil painting on drawings and oil sketches made outdoors. Attracted to the beauty of the Italian countryside, he often sketched around Rome, where he lived from 1825 to 1828. This painting's highly structured composition, based on forms moving into the distance along a series of diagonals, is characteristic of Corot's early style and recalls the classical landscapes of 17th-century painter Nicholas Poussin.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Jean Baptiste Camille Corot

French, 1796–1875 · Born and died in Paris.

Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France. His Salon pictures moved from classical landscape to the silvery, misty reveries that made him famous in the 1850s and 1860s, and late in life he painted thoughtful figure studies of models in costume.

Written by Ochre Editions.

See all 9 works by Jean Baptiste Camille Corot

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1963.91
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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More by Jean Baptiste Camille Corot

All their works

Sibylle

Jean Baptiste Camille Corot, ca. 1870

Close in colour

Sitges

Juan Roig y Soler, 19th century