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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 9389 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; hosoban.
    Actor Ichikawa Monnosuke II in an Unidentified RoleKatsukawa Shunkо̄, About 1785Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of color woodblock print.
    Actor Onoe Matsusuke I as Retired Emperor SutokuKatsukawa Shunkо̄, About 1780Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; uchiwa-e.
    Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of color woodblock print; surimono.
    PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    The Actor Ichikawa Danjuro IV in a "Shibaraku" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768Katsukawa Shunshō, c. 1768Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
    View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art
  2. Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, by Katsushika Hokusai, 1835–36
    Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai, 1835–36Courtesy of the Cleveland Museum of Art
  3. Dutch Woman and Child (Seisha ikoku jinbutsu Oranda fujin aijidō no zu), by Utagawa (Gountei) Sadahide, 1860
    Dutch Woman and Child (Seisha ikoku jinbutsu Oranda fujin aijidō no zu)Utagawa (Gountei) Sadahide, 1860Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; oban.
    Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  2. Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga", by Tōshūsai Sharaku, 1794
    Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art
  3. Grasshopper and Iris, by Katsushika Hokusai, late 1820s
    Grasshopper and IrisKatsushika Hokusai, late 1820sCourtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), by Suzuki Harunobu, ca. 1766
    Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)Suzuki Harunobu, ca. 1766Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago
  3. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art