Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Illustration of a Balloon Ascending (Fūsen shōyō no zu)Utagawa Yoshitora, November, 1872Courtesy of The Metropolitan Museum of Art 
Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art 
Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art
Section 1, south wall

Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art 
Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago
Section 2, south wall

“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art 
Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art 
The GossipsSuzuki Harunobu, ca. 1767Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art 
Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu)Yōshū (Hashimoto) Chikanobu, November 1887Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
Kingfisher and Chinese BellflowersUtagawa Hiroshige, early or mid-1830sCourtesy of the Cleveland Museum of Art
Section 3, south wall

The Priest Kobo Daishi at the Tama River in Kii Province from the series The Six Tama RiversTorii Kiyomasu, c. 1725-1735Courtesy of the Art Institute of Chicago 
Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art 
Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art