Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Paper Doll ClothingUnrecorded Japanese maker, 1897–98Courtesy of The Metropolitan Museum of Art 
Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art 
Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
Section 1, south wall

Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago 
Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art 
France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Foreigners Enjoying a Party (Gaikokujin yūkyō no zu)Utagawa Yoshitora, 1st month, 1861Courtesy of The Metropolitan Museum of Art 
Plants, Porcelain Bowl, and Glass GobletKatsukawa Shunshō, c. 1789Courtesy of the Art Institute of Chicago
Section 2, north wall

Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art 
Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago 
Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art 
Boating Party on the Sumida RiverTorii Kiyonaga, 1789Courtesy of the Cleveland Museum of Art 
Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art
Section 3, south wall

The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago 
Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago