The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776, previewed as a 20 by 16 inch giclée reproduction.

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Katsukawa Shunshō

Japanese, 1726–1792

The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776c. 1776

Color woodblock print; hosoban; triptych

31.1 × 14.6 cm (12 1/4 × 5 3/4 in.) (right); 31.3 × 14.9 cm (12 5/16 × 5 7/8 in.) (center); 31.1 × 14.3 cm (12 1/4 × 5 5/8 in.) (left)

Courtesy of the Art Institute of Chicago · 1938.499

Katsukawa Shunshō designed this in about 1776, aged about 45. It is now at the Art Institute of Chicago. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 199 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 12¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A work made of color woodblock print; hosoban; triptych.

Description from the Art Institute of Chicago.

Katsukawa Shunshō designed this in about 1776, aged about 45. It is now at the Art Institute of Chicago.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.
Triptych
Three sheets designed to sit side by side and read as one wide picture.

Katsukawa Shunshō

Japanese, 1726–1792

Shunshō founded the Katsukawa school and changed the way kabuki actors were portrayed, giving them recognisable individual features rather than standard types. From the late 1760s his actor designs, often in the narrow hosoban format, dominated the field. He was also a refined painter of beautiful women, and the young Hokusai spent his early years in his studio under the name Shunrō.

Written by Ochre Editions.

See all 6 works by Katsukawa Shunshō

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

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Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1938.499
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Arts of Asia
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