Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu)Yōshū (Hashimoto) Chikanobu, November 1887Courtesy of The Metropolitan Museum of Art 
Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art 
Kingfisher and Chinese BellflowersUtagawa Hiroshige, early or mid-1830sCourtesy of the Cleveland Museum of Art
Section 1, south wall

The Doll Festival, Third Day of the Third MonthKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art 
Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
Section 2, south wall

Courtesans at Leisure from the series The Six Immortal PoetsKatsukawa Shunzan, early 1780sCourtesy of the Cleveland Museum of Art 
Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art 
Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art
Section 2, north wall

“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art 
Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art 
Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
Section 3, north wall

The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago 
Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago
Section 3, south wall

The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
The Plum Orchard at Kamata (Kamata no umezono), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago