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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 8026 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. Dutch Woman and Child (Seisha ikoku jinbutsu Oranda fujin aijidō no zu), by Utagawa (Gountei) Sadahide, 1860
    Dutch Woman and Child (Seisha ikoku jinbutsu Oranda fujin aijidō no zu)Utagawa (Gountei) Sadahide, 1860Courtesy of The Metropolitan Museum of Art
  3. Paper Doll Clothing, 1897–98
    Paper Doll ClothingUnrecorded Japanese maker, 1897–98Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
    Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50Courtesy of the Cleveland Museum of Art
  3. Boating Party on the Sumida River, by Torii Kiyonaga, 1789
    Boating Party on the Sumida RiverTorii Kiyonaga, 1789Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  2. Evening Snow at Asuka Hill, from the series Eight Views of the Environs of Edo, by Utagawa Hiroshige, c. 1837–38
    Evening Snow at Asuka Hill, from the series Eight Views of the Environs of EdoUtagawa Hiroshige, c. 1837–38Courtesy of the Cleveland Museum of Art
  3. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai), by Tsukioka Yoshitoshi, January, 1878
    Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai)Tsukioka Yoshitoshi, January, 1878Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  3. Courtesans at Leisure from the series The Six Immortal Poets, by Katsukawa Shunzan, early 1780s
    Courtesans at Leisure from the series The Six Immortal PoetsKatsukawa Shunzan, early 1780sCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A work made of color woodblock print.
    Actor Onoe Matsusuke I as Retired Emperor SutokuKatsukawa Shunkо̄, About 1780Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; chuban.
    The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, by Okumura Masanobu, 1740
    Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art
  2. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art