Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Tobacco Pouch and PipeKubo Shunman, 1813Courtesy of The Metropolitan Museum of Art 
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago 
Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art
Section 1, south wall

“America”: Enjoying Hot Air BalloonsUtagawa Yoshitora, 1867Courtesy of The Metropolitan Museum of Art 
Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
Section 2, south wall

Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as KoganosukeShunkōsai Hokushū, 1821Courtesy of The Metropolitan Museum of Art 
Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art 
Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art
Section 2, north wall

The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago 
The actor Ichikawa Omezo as the manservant IppeiTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago 
The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
Section 3, north wall

Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art 
Net Fishing at Night on the Sumida RiverKitagawa Utamaro, c. 1800Courtesy of the Cleveland Museum of Art
Section 3, south wall

The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art 
Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art