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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 6348 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art
  2. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago
  3. Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
    Kanagawa, Inland Sea: Top of the StreetUtagawa Hiroshige, 1797–1858Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; ōban.
    Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Anekawa Daisuke as Ayame-no-mae, by Torii Kiyomitsu, 1760
    Anekawa Daisuke as Ayame-no-maeTorii Kiyomitsu, 1760Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago
  3. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
    Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art
  2. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print with metallic pigments; surimono shikishiban.
    Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago