Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art 
Procession of Russian Marching Band, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853Keiga, 1853Courtesy of the Art Institute of Chicago
Section 1, south wall

Searching for FirefliesSuzuki Harunobu, 1768Courtesy of the Art Institute of Chicago 
The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art 
“Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Evening Snow at Asuka Hill, from the series Eight Views of the Environs of EdoUtagawa Hiroshige, c. 1837–38Courtesy of the Cleveland Museum of Art 
Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago
Section 2, north wall

Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago 
Postal Hōchi Newspaper no. 645, Englishman raping a wine shopkeeper's daughter (Yūbin Hōchi shinbun, roppyaku yonjū gogō)Tsukioka Yoshitoshi, August, 1875Courtesy of The Metropolitan Museum of Art 
Actor Onoe Matsusuke I as Retired Emperor SutokuKatsukawa Shunkо̄, About 1780Courtesy of the Art Institute of Chicago
Section 3, north wall

A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art 
Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art 
Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art
Section 3, south wall

The actor Ichikawa Omezo as the manservant IppeiTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art