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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 4425 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of woodblock print in black ink and watercolor on cream japanese paper.
    The Priest Kobo Daishi at the Tama River in Kii Province from the series The Six Tama RiversTorii Kiyomasu, c. 1725-1735Courtesy of the Art Institute of Chicago
  2. Foreigners Enjoying a Party (Gaikokujin yūkyō no zu), by Utagawa Yoshitora, 1st month, 1861
    Foreigners Enjoying a Party (Gaikokujin yūkyō no zu)Utagawa Yoshitora, 1st month, 1861Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Dyers at Work, by Katsushika Hokusai, c. 1800
    Dyers at WorkKatsushika Hokusai, c. 1800Courtesy of the Cleveland Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  2. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  3. Paper Doll Clothing, 1897–98
    Paper Doll ClothingUnrecorded Japanese maker, 1897–98Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  2. View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
    View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art
  3. Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu), by Utagawa Yoshikazu, 1860
    Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu)Utagawa Yoshikazu, 1860Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Young Woman Looking at a Pot of Pinks, by Suzuki Harunobu, c. 1767
    Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art
  2. American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi), by Utagawa Hiroshige II, 2nd month, 1861
    American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi)Utagawa Hiroshige II, 2nd month, 1861Courtesy of The Metropolitan Museum of Art
  3. Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
    Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50Courtesy of the Cleveland Museum of Art