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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 2083 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; ōban.
    Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago
  2. Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), by Suzuki Harunobu, ca. 1766
    Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)Suzuki Harunobu, ca. 1766Courtesy of The Metropolitan Museum of Art
  3. Xu You and Chao Fu, by Okumura Masanobu, 18th century
    Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; surimono.
    PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago
  3. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama, by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreigners in the Drawing Room of Foreign Merchant's House in YokohamaUtagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
  2. Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s
    Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai ProvinceKatsushika Hokusai, early 1830sCourtesy of the Cleveland Museum of Art
  3. A work made of hand-colored woodblock print; toku-oban, urushi-e.
    Courtesan Reading a LetterIshikawa Toyonobu, c. 1745Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of woodblock print; sumizuri-e, kakemono-e.
    Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago
  2. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago
  3. Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu), by Utagawa Yoshikazu, 1860
    Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu)Utagawa Yoshikazu, 1860Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Kiyomizu Komachi, from the series Futabagusa nana Komachi, by Kitagawa Utamaro, 1790s
    Kiyomizu Komachi, from the series Futabagusa nana KomachiKitagawa Utamaro, 1790sCourtesy of The Metropolitan Museum of Art
  2. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Perspective Pictures for The Treasure House of Loyalty, by Kitao Masayoshi, c. 1790s
    Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art