Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art 
The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art 
Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art 
Reapers Resting in a Wheat FieldJohn Singer Sargent, 1885Courtesy of The Metropolitan Museum of Art
First room, south wall

Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art 
Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art
Second room, south wall

Newburyport MeadowsMartin Johnson Heade, ca. 1876–81Courtesy of The Metropolitan Museum of Art 
Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art 
PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
Second room, north wall

Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art 
Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art
Third room, north wall

John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art 
An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution