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Prints of the 19th century

Prints made in the 19th century, from every museum.

159 works · hang 992 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861
    French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)Utagawa (Gountei) Sadahide, 1st month, 1861Courtesy of The Metropolitan Museum of Art
  2. The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.
    Cape Ann WillowsCharles A. Platt, 1887Courtesy National Gallery of Art, Washington
  3. Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862
    Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862Winslow Homer, 1862Courtesy of the Smithsonian American Art Museum

Section 1, south wall

  1. Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), by Katsushika Hokusai, ca. 1832
    Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art
  2. In My Dream I Saw in the Sky a Face of Mystery, by Odilon Redon, 1885
    In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
  3. The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.
    NoonDavid Lucas, 1830Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.
    TingletangleEdvard Munch, 1895Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; ōban.
    Awa Province: Naruto Whirlpools (Awa, Naruto no fūha), from the series Famous Places in the Sixty-Odd Provinces (Rokujūyoshmeisho zue)Utagawa Hiroshige, 1855Courtesy of the Art Institute of Chicago
  2. Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870
    Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; shikishiban, surimono.
    Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; uchiwa-e, aizuri-e.
    Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.
    Mission Santa Barbara, Looking SouthHenry Chapman Ford, 1888Courtesy National Gallery of Art, Washington
  3. Weymouth Bay, by David Lucas, 1830
    Weymouth BayDavid Lucas, 1830Courtesy of The Metropolitan Museum of Art