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Prints of the 19th century

Prints made in the 19th century, from every museum.

159 works · hang 6748 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808
    Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
  3. Nocturne: Palaces, by James McNeill Whistler, 1879–80
    Nocturne: PalacesJames McNeill Whistler, 1879–80Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
    La Belle JardinièreJames McNeill Whistler, 1894Courtesy of the Art Institute of Chicago
  2. Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo, by Louis Haghe, 1842–49
    Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, CairoLouis Haghe, 1842–49Courtesy of the Cleveland Museum of Art
  3. Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
    Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862
    Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862Winslow Homer, 1862Courtesy of the Smithsonian American Art Museum
  2. Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō), by Utagawa (Gountei) Sadahide, 1861
    Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art
  3. A work made of lithograph in dark green on cream wove paper.
    Mévisto, from Le Café-ConcertHenri-Gabriel Ibels, 1893Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
    Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art
  2. The image shows a landscape with a valley leading towards two mountain peaks known as the Peaks of Otter. The horizon is low, with the mountains dominating the scene. The brushwork is smooth and delicate, and the color palette consists of muted earth tones, greens, and soft blues. In the foreground, there are cattle grazing in a field with a wooden fence, and a couple of houses among trees to the left. Further back, there are open fields with horses and agricultural activities, leading to a dense tree line at the base of the mountains.
    View of the Peaks of OtterWoldemar Rau, 1858Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. Three Kabuki Actors Playing Hanetsuki, by Utagawa Kuniyasu, ca. 1823
    Three Kabuki Actors Playing HanetsukiUtagawa Kuniyasu, ca. 1823Courtesy of The Metropolitan Museum of Art
  2. The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.
    NoonDavid Lucas, 1830Courtesy National Gallery of Art, Washington
  3. A Picture by Hishikawa Moronobu: Woman with a Set of Poem Cards, by Totoya Hokkei, mid 1820s
    A Picture by Hishikawa Moronobu: Woman with a Set of Poem CardsTotoya Hokkei, mid 1820sCourtesy of the Cleveland Museum of Art