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French classicism

Order, clarity and the ideal landscape in seventeenth-century France.

29 works · hang 1545 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27
    Nymphs and a Satyr (Amor Vincit Omnia)Nicolas Poussin, c. 1625–27Courtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    Peasant Family at a WellThe Master of the Children's Caps, 1650/60Courtesy of the Art Institute of Chicago
  3. The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.
    The Four EvangelistsRobert NanteuilCourtesy National Gallery of Art, Washington

Section 1, south wall

  1. Saint Peter Repentant, by Georges de La Tour, 1645
    Saint Peter RepentantGeorges de La Tour, 1645Courtesy of the Cleveland Museum of Art
  2. A work made of engraving and etching on ivory laid paper.
    The Wise and Foolish Virgins, plate fiveAbraham Bosse, 1635Courtesy of the Art Institute of Chicago
  3. Painting of Greek landscape, classical architecture, yellow, red robed man reading.
    Landscape with Saint John on PatmosNicolas Poussin, 1640Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters "A," "F," "D," "H," and another "H" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.
    PendantRobert NanteuilCourtesy National Gallery of Art, Washington
  2. Lute Player, by Valentin de Boulogne, ca. 1625–26
    Lute PlayerValentin de Boulogne, ca. 1625–26Courtesy of The Metropolitan Museum of Art
  3. Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s
    Still Life with Shells and a Chip-Wood BoxSebastian Stoskopff, late 1620sCourtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. The Trojan Women Setting Fire to Their Fleet, by Claude Lorrain (Claude Gellée), ca. 1643
    The Trojan Women Setting Fire to Their FleetClaude Lorrain (Claude Gellée), ca. 1643Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on panel.
    MeeknessEustache Le Sueur, 1650Courtesy of the Art Institute of Chicago
  3. The Four Seasons: Autumn, by Abraham Bosse, 1635
    The Four Seasons: AutumnAbraham Bosse, 1635Courtesy of the Cleveland Museum of Art
  4. The image depicts a landscape viewed from a slightly elevated angle. On the left side, there is a large tree with a twisted trunk and dense foliage. A winding path can be seen with a figure walking with a dog. In the distance, a river winds through the land, and there are rolling hills and trees in the background. The color scheme is sepia-toned.
    Hilly Landscape with Travelers on FootJean MorinCourtesy National Gallery of Art, Washington

Section 3, north wall

  1. The Holy Family on the Steps, by Nicolas Poussin, 1648
    The Holy Family on the StepsNicolas Poussin, 1648Courtesy of the Cleveland Museum of Art
  2. The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.
    Peasant Couple with CowJacques Callot, c. 1621Courtesy National Gallery of Art, Washington
  3. The Fortune-Teller, by Georges de La Tour, probably 1630s
    The Fortune-TellerGeorges de La Tour, probably 1630sCourtesy of The Metropolitan Museum of Art