Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art 
The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art 
A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago
Section 1, south wall

Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Francesco SforzaUnrecorded Italian maker, probably c. 1480/1500Courtesy National Gallery of Art, Washington 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art
Section 2, south wall

Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art 
The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago 
Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago 
Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
Section 2, north wall

Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago