Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago
Section 1, south wall

The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
Sinan Reis and Hayreddin BarbarossaItalian, c. 1535Courtesy of the Art Institute of Chicago 
A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago 
Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington
Section 2, south wall

The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
Section 2, north wall

The Sacrifice of IsaacAndrea del Sarto, c. 1527Courtesy of the Cleveland Museum of Art 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art 
Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
Section 3, north wall

Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago 
Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago