Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art 
The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago 
Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago
Section 1, south wall

Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art 
Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art
Section 2, south wall

View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art 
Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago
Section 2, north wall

The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
Venus Reclining in a LandscapeGiulio Campagnola, c. 1508–9Courtesy of the Cleveland Museum of Art 
The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art
Section 3, north wall

The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago 
Virgin and Child with AngelsMaster of the Holden Tondo, early 1500sCourtesy of the Cleveland Museum of Art