The Nativity1553
The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. More about this work
About this work
The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands. There he worked with Hieronymus Cock (about 1510–1570), founder of the largest and best-known print publishing establishment in northern Europe, called The Four Winds. This print reproduces a painting of similar size by the artist Agnolo Bronzino (1513–1572), painted in the late 1530s for Filippo d'Averardo Salviati of Florence. Making a print based on a work belonging to a private individual was an unusual practice during the 16th century.
Text from the Cleveland Museum of Art.
How it was made
- Engraving
- Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.
Giorgio Ghisi
Italian, 1520–1582
Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France. His refined, silvery technique, built from fine, regular lines and flicks, carried Italian compositions to collectors across Europe. In his later years he returned to Mantua, where he served the Gonzaga court.
Written by Ochre Editions.
Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1986.233
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Department
- Prints
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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