Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago 
The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
First room, south wall

The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago 
Holy Family with St. John and Two AngelsGiovanni Battista Tiepolo, n.d.Courtesy of the Art Institute of Chicago
Second room, south wall

Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago 
Portrait of a Man in a Military UniformUnrecorded French maker, 18th centuryCourtesy National Gallery of Art, Washington
Second room, north wall

The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago 
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)Francesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Third room, north wall

Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago 
DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art
Third room, south wall

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago