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Baroque and Rococo

Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.

53 works · hang 6082 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. The Supper at Emmaus, by Giovanni Battista Piazzetta, c. 1720
    The Supper at EmmausGiovanni Battista Piazzetta, c. 1720Courtesy of the Cleveland Museum of Art
  2. A work made of etching in black on tan laid paper.
    The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
  3. A work made of oil on canvas.
    Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago

First room, south wall

  1. ONE SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION FOR HORIZONTAL PANELS. INTENDED TO BE ENGRAVED
    One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. A work made of oil on canvas.
    Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago
  3. A work made of oil on canvas.
    Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago

Second room, south wall

  1. Danaë, by Orazio Gentileschi, c. 1623
    DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art
  2. Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748
    Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. A work made of etching in black on cream laid paper.
    Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago
  2. A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.
    The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago
  3. A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.
    The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago
  4. A work made of etching and engraving on heavy ivory laid paper.
    The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of etching on ivory laid paper.
    View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on ivory laid paper.
    The Colossal Statue of the Apennines, from Views of Villa di PratolinoStefano della Bella, c. 1653Courtesy of the Art Institute of Chicago

Third room, south wall

  1. A work made of oil on canvas.
    The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago