Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art 
The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago 
Christ and the Woman Taken in AdulterySebastiano Ricci, mid-1700sCourtesy of the Cleveland Museum of Art 
One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
First room, south wall

A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago 
Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago
Second room, south wall

Salome with the Head of Saint John the BaptistGuido Reni, c. 1639–42Courtesy of the Art Institute of Chicago 
Holy Family with St. John and Two AngelsGiovanni Battista Tiepolo, n.d.Courtesy of the Art Institute of Chicago 
The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago
Second room, north wall

Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Third room, north wall

The Supper at EmmausGiovanni Battista Piazzetta, c. 1720Courtesy of the Cleveland Museum of Art 
Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago 
A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art
Third room, south wall

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo, 1739Courtesy of the Cleveland Museum of Art 
The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)Pietro Antonio di Pietri, 1690/1710Courtesy of the Art Institute of Chicago